EZdrinking

Spirit Reviews, Tasting Events and Consulting

Searching for the world's best drinks and what makes them extraordinary. EZdrinking is a drinks blog by Eric Zandona that focuses on distilled spirits, wine, craft beer and specialty coffee. Here you can find reviews of drinks, drink books, articles about current & historical trends, as well as how to make liqueurs, bitters, and other spirit based drinks at home.

Review: El Ladrón Blanco Blue Agave Spirit

Photo by Chen Design Associates

Free sample bottle received as a gift from 3rd party.

El Ladron Blanco Blue Agave Spirit, distilled by Venus Spirits and bottled at 47% ABV. 

Price Range: $40-$50

Founded by Sean Venus, Venus Spirits is a new craft distillery located in Santa Cruz, California. I met Sean at a K&L tasting event in San Francisco where he was pouring El Ladron (The Thief) blue agave spiritand his gin . Sean has an extensive background in brewing and fermentation. He worked for a number of microbreweries while attending the University of Oregon and spent six years with Gordon Biersh. 

El Ladron Blanco Blue Agave Spirit is made from organic blue agave syrup imported from Mexico, fermented and double distilled in a 600-liter copper alembic still. 

Tasting Notes

Nose: The aroma is has interesting notes of cranberry and raspberry with a hint of sweetness. There is also an underlying green vegetal aroma commonly found in blanco tequilas. Let the spirit sit for a little bit and the aromas open up revealing dried tarragon and more earthy agave notes.

Palate: In the mouth El Ladron blanco is smooth; it is big and round on the tongue and tastes sweet with a light caramel flavor. As it sits the flavor reveals a dry mineral character that thins out. There are notes of black pepper, and cayenne combined with a smokey vegetal note like barbecued asparagus. 

Finish: The finish has a slight sting that mellows out into a pleasant warmth. Sweetness lingers on the tongue almost like caramelized onions. 

Conclusion: El Ladron blanco is an excellent agave spirit. It shows very well neat and it also makes a really tasty margarita. At 47% the agave spirit shines through and adds an solid earthy character that balances against the citrus and sweetness of the other ingredients. This is by far one of the best US agave spirits I have had the pleasure to taste.

Distillery Tourism on the Rise: Big Benefits for Local Communities

Eighty-two years ago, when
Prohibition was repealed, laws
treated distilleries as industrial factories producing goods for a national market, not as local producers of artisan spirits. Laws establishing the three-tier and state control distribution systems after repeal did not take into consideration that small-scale distillers would want to sell spirits direct to consumers in their local market. At the time, there was no real reason for states to consider such a thing. Both before and after prohibition, the distilling industry experienced a period of significant consolidation. It wasn’t until 1982, nearly half a century after prohibition’s repeal, that Jörg Rupf and Hubert Germain-Robin (together with Ansley Coale) founded the first two micro-distilleries and inaugurated the craft-distilling renaissance.

Until recently, most new craft distilleries were built without tasting rooms because state laws prohibited small distillers from offering samples or selling spirits direct to consumers. However, as the number of small distilleries has continued to grow and consumers have demanded greater freedom to interact with producers, state laws have begun to change. Distillers of all sizes know—and state legislators have started to realize—that allowing consumers direct access to taste and buy spirits from the source increases more than just a distillery’s profitability. Tasting rooms selling samples, bottles and even cocktails made with their spirits has a multiplier effect that spreads through local and state economies.

Although the current national boom in the popularity of bourbon has been
good for Kentucky, distillery tourism in the Bluegrass State has had a significant and positive impact on the state’s economy. In 1999, the Kentucky Distillers’ Association (KDA) founded the Kentucky Bourbon Trail with six distilleries. Today the tour has nine heritage distilleries and another nine distilleries on the Kentucky Bourbon Trail Craft Tour. Visitors are allowed to sample bourbon and purchase bottles. The Kentucky Bourbon Trail drew 627,032 individual visits to member distilleries, and the Craft Tour an additional 96,471 visits in 2014. In the economic impact report released in 2014, KDA estimates that 73% of the visitors on the trail come to Kentucky specifically to visit distilleries. Based on the approximately 15,000 visitors that turned in their passports annually, KDA estimates that bourbon tourism generated more than $5 million in lodging, transportation, meals and other purchases. Out of that, about $615,000 went to state and local governments in the form of sales taxes, lodging taxes, income taxes and payroll taxes. That $5 million also supports about 104 jobs state wide, for a total increase in economic activity of $7.5 million. With individual distilleries on the Craft Tour reporting estimates of 20,000 visitors annually, it is likely the overall economic impact is far greater.

In New York State, distillery tourism is growing in popularity and the economic benefits are reaching far beyond the money tourists spend on lodging, transportation and meals. In 2007, New York passed the Farm Distillery Act, which allowed small-scale distillers to produce 35,000 gallons of liquor per year, offer three samples of their spirits, and sell bottles directly to consumers as long as at least 50% of the agricultural products used to make the spirits were grown in New York. This law opened the door for distillery tourism and similar economic benefits in lodging, transportation, meals and other retail purchases seen in Kentucky. However, by tying the law to the use of stategrown agricultural products, the economic effects of distillery tourism have 28 distiller multiplied across New York’s agricultural sector and a number of supporting industries. Christopher Williams, chief distiller, blender and distillery manager for Coppersea Distilling, explained that when he started, there was no way to buy New York-grown and malted barley. In response, Williams worked with a local farmer to grow the type of barley and rye needed for his whiskeys, and then he malted it himself. That local farmer is now one of the largest suppliers of New York-grown barley used by brewers and distillers in the state. Instead of growing low-quality grains for animal feed, which has a low market value, the farmer can charge a premium for high-quality grain used by brewers and distillers.

Coppersea, ever committed to using local and sustainable practices in the creation of their spirits, has even partnered with a New York cooperage to  create barrels from New York-grown white oak. By including a mandate for the use of New York-grown agricultural products, the state has fostered an environment that has spawned dozens of new businesses, which in turn have created a new pool of good paying jobs, for workers who pay taxes and recirculate their earnings in the local economy.

In 2014, the farm distillery law was amended to allow farm distilleries to serve full pours of their spirits as well as cocktails. The state also increased the total allowable production to 75,000 gallons annually and increased the mandate
for state-grown produce from 50 to 75%. These new amendments will allow New York farm distillers to increase their profitability from distillery tourism, and multiply its effects through increased demand for state-grown agricultural products, locally produced malt and even New York-coopered barrels.

Seeing the increase in economic activity and tax revenue from profitable craft distilleries, a number of states are starting to adopt laws that encourage distillery tourism. About a dozen states now allow craft distilleries to open one or more satellite tasting rooms from which they can sample their spirits, serve cocktails, and even sell their spirits by the bottle for off premise consumption. Such tasting rooms increase a distillery’s exposure and allow consumers to taste spirits in the way most people are used to, as  cocktails. The increased exposure not only improves profitability of a distillery, but a satellite tasting room can bring vitality to a new neighborhood as well as added jobs with all of the associated benefits.
In New Mexico, craft distillers such as Santa Fe Spirits are allowed to operate
two satellite tasting rooms. Even though their distillery is located on the far west side of town, Santa Fe Spirits is able to have a lovely tasting room downtown that sells individual samples, flights of samples, cocktails and bottles for customers to take home. This location also has a back room that can be rented out for private tasting events and seminars where groups can learn about the products that Santa Fe Spirits makes. Molly Norton, the  former tasting room manager at Santa Fe Spirits, explained that they were allowed to serve and sell any New Mexico-produced spirit, which increased the variety of cocktails they could serve and helped promote the entire local industry.

Despite the advantages states have garnered from promoting their local distilling industry, a number of states, including California, have been slow to act, resulting in a number of negative consequences. Until recently, distilleries in California were not allowed to have tasting rooms or to charge for samples. St. George Spirits found an expensive workaround by partnering with separate on-site companies to operate a bar to serve their spirits and a liquor store to sell bottles. However, most distilleries don’t have the space or level of customer interest to entice another company to invest in expensive liquor licenses to sell a single brand. On January 1, 2014, California enacted legislation that allows distilleries to conduct paid on-site tastings. While that increased the opportunity for promotion, the sale of six ¼ oz samples proved to be small victory.

Currently before the California state legislature is AB 1295, which would allow small California distillers to serve cocktails and sell up to three bottles per person per day. Distilleries would even gain the ability to operate a full-service restaurant selling their spirits. This bill has the potential to put California’s small-scale distillers fully back into competition with other states with robust laws encouraging distillery tourism.

Until then, California, Alabama, Connecticut, Georgia, Minnesota, Mississippi, Oklahoma and South Dakota all prohibit direct bottle sales and, in general, have some of the most restrictive laws for small-scale distillers. This restrictiveness does nothing to protect public safety or limit the abuse of alcohol. Instead, these laws work against the states’ interests to create jobs, generate tax revenue, and support local agriculture. Meanwhile, states including Kentucky, New York and New Mexico have demonstrated that, by enacting laws that promote distillery tourism, there are clear economic benefits and no increase in the social ills commonly used as excuses to limit the production, sale and consumption of alcohol. 

Originally published in Distiller Magazine (Fall 2015): 27-28 

Review: Venus Spirits Gin Blend No. 01

Gin Blend No. 01 is distilled by Venus Spirits and and bottled at 46% ABV.

Price Range: $30-$40

Venus Spirit is owned and operated by Sean Venus who worked for 14 years in the craft brewing and organic food industries before opening his distillery. Venus Spirits is located in Santa Cruz, three blocks from the coast and just 2 miles from the Santa Cruz Boardwalk. 

Free sample bottle received as a gift from 3rd party.

TASTING NOTES

Nose: Smells of lavender and bright citrus with a low malt note in the background.

Palate: Tastes strongly of citrus and lavender.

Finish: The finish is smooth with little heat and a pleasant floral character.

Conclusion: Venus Spirits' Gin Blend No. 1 is a good example of a contemporary gin. In general I prefer more juniper forward gins so my rating has more to do with my own personal preference than the quality of the spirit. Blend No. 1 hits all the right notes for gin drinkers who like like more citrus and floral gins.  This would also work really well in a Corps Reviver #2.

 

Review: E.H. Taylor Small Batch Bottled In Bond Bourbon

Bottle purchased by EZdrinking.

Colonel E. H. Taylor Small Batch Bottled in Bond Kentucky Bourbon is distilled by Buffalo Trace Distillery and and bottled at 50% ABV.

Price Range: $40-$50

Buffalo Trace is located in Frankfurt, Kentucky and owned by  Sazerac, a privately held company, headquartered in New Orleans, Louisiana. In 1992, Sazerac purchased what was then called the George T. Stagg Distillery and after completing renovations in 1999, they renamed it Buffalo Trace Distillery. 

The E.H. Taylor bourbon line consists of four standard variations all of which come in a lovely canister and are labeled bottled in bond except for the barrel proof bottling. The E.H. Taylor Small Batch is distilled from Buffalo Trace's Mash Bill #1, a high corn mash bill which is believed to have 10% or less, rye as a flavoring grain. E.H. Taylor has no age statement so it is legally required to be at least 4 years old, however, most estimates place it between 7 and 12 years old.

E.H. Taylor Small Batch Bourbon was one of nine whiskeys I included in a blind tasting of bourbons less than $50.

TASTING NOTES

Nose: Smells of light vanilla and rose petals with milk chocolate, and a hint of orange zest.

Palate: Tastes slightly sweet, with a smooth texture. The heat from the 100 proof is noticeable on the first sip but it mellows as you continue to drink.

Finish: Full of warm spice notes like clove and ground ginger.  It has a woody character like young pine with medium tannins that leaves the palate dry waiting for the next sip. This wood flavor is non-traditional for a Kentucky Bourbon so it may not appeal those who prefer a more pronounced oak character.

Conclusion: This bottling of Colonel Taylor is very floral and has a light nose, with its young woodiness it is a fun and different kind of bourbon that doesn't taste like everything else. While a solid bourbon, at its price point, I'm not sure it would make it into my regular rotation or that I would buy a second bottle. However, at 100 proof it will hold up well in any bourbon cocktail especially a Manhattan. 

Review: Tequila - A Natural and Cultural History

Book purchased by EZdrinking.

Ana G. Valenzuela-Zapata and Gary Paul Nabhan, Tequila: A Natural and Cultural History, (Tucson: The University of Arizona Press, 2003), 113 pages, $14.95.

Ana Valenzuela is the world's leading authority on agave plants, their cultivation and their use in making distilled Spirits. Valenzuela grew up in the heart of tequila country and she received her doctorate in biology from the Universidad Autónoma de Nuevo Leon Mexico. She has written extensively on the biology of agave as well as its traditional and contemporary cultivation. Her newest book A Indicación Geográfica Tequila: Lecciones de la Primera denominación de Origen Mexicana (2014) focuses on the use of sustainable agricultural practices in agave cultivation. Her co-author Gary Paul Nabhan is an ethnobotanist who has been studying the use of agave in the Americas for over four decades. Both Valenzuela and Nabhan were students of the late Dr. Howard Scott Gentry, a pioneer in agave botany and taxonomy.

Tequila: A Natural and Cultural History is not your typical book on tequila. Like the title suggests, the book focuses on the large number of agave varieties, some of the defining traits of the most commonly cultivated varieties and the process of cultivation for distilling tequila. Valenzuela and Nabhan also go into depth about the traditional knowledge and practices that sprung up around tequila production. One of the most interesting claims they make is that tequila is an inherently Mexican product not because of where it is made or because it uses agave, but because it is a mestizo spirit. The majority of Mexicans are mestizo, a mix of indio (indigenous) and criollo (American born Spaniards) ancestry and culture. Similarly, tequila was born from the combination of pulque (a pre-columbian fermented agave beverage) and European distillation technology. Traditional tequila production incorporated indigenous cultivation and fermentation practices learned centuries before the arrival of Europeans, with Old World technology.

The emphasis on agave taxonomy can at times seem overwhelming for those coming to the book primarily out of interest for tequila. However, this sets the stage for Valenzuela and Nebhan's discussion how the growing popularity and global demand for tequila have slowly created new methods of production agave cultivation. Large tequila distilleries buy their blue agave from campesinos (farmers) who plant and grow clones of clones of the blue agave in tight mono-cropped fields. While this is more efficient and cost effective, this practice has created a plant that lacks the genetic diversity to resists new threats from pests and disease. In 1998, forty million agave plants, or about one fifth of all agave in Jalisco were struck by a disease that rotted the agaves from the inside out. While Valenzuela and Nebhan found that blue agave fields that were inter-cropped with other varieties of agave or legumes lost fewer plants during this plague, large tequila producers still favor agave farms that are at the greatest risk for future plagues. Valenzuela and Nebhan close their book commenting on the remarkable growth of tequila in general and premium tequila in particular and they express a hope for continuation of the tequila industry because of its significant economic benefit to people in the industry. However, their primary concern is that the reliance on mono-cropping and the cloning of blue agave puts the whole industry at risk for future distribution if a new pathogen wreaks havoc in the genetically uniform fields of Jalisco.

Valenzuela and Nebhan's book is a unique and important book for any tequila aficionado. Now that the book is over ten years old, its information is by no means revolutionary or completely novel, but that does not mean it is outdated. Valenzuela and Nebhan bring a scientific perspective to agave and tequila that is uncommon in most of the literature. Most other books on tequila are written by bartenders, drink writers and others in the alcohol or service industry. While other books contain information on the scientific aspects of agave cultivation and the potential dangers of mono-cropping and cloning, Valenzuela and Nebhan offer credible a solution to this problem. Their suggestion to reincorporate traditional cultivation practices are not born out of a Luddites nostalgia for the past but a scientific understanding of best practices that will promote the continued health of blue agave and its genetic resistance to new pathogens. This in the end will ensure that tequila will be able to be enjoyed for generations to come.